Rolf Gerstlauer

• Gerstlauer, Rolf (2008). The inconspicuous, time lag and serendipity. In Funck, Lisbeth & Johansen, Anette (Ed.), Generator : research by design. Arkitektur- og designhøgskolen i Oslo. ISSN 9788254702147. p. 20–21. Full text in Research Archive
• Gerstlauer, Rolf & Langdalen, Erik Fehnstad (2006). Momentum 2000, Inn_ut_i : Tverrsnitt av undervisning i prosjektering for arkitekter: 10 år fagområdet bygg 2, AHO. Arkitektur- og designhøgskolen i Oslo. ISSN 9788254702017. p. 74–81. Full text in Research Archive

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• Fjeld, Per Olaf; Funck, Lisbeth; Gerstlauer, Rolf & Pilskog, Anders Eik (2013). Architecture as Infrastructure: Artistic Research by Studio B3 2008-2010: The Oslo School of Architecture and Design. Imprintforlaget AS. ISBN 9788281520394. 299 p. Full text in Research Archive Show summary

  In 2008, Studio B3 at the Oslo School of Architecture and Design published a book called GENERATOR. Through the authors introductory texts and the presentation of student projects, the book's content argues that in principle architectural space has the ability to be generated by almost everything. The investigation evolved into some rather surprising spatial discoveries, which instigated the desire to achieve a deeper architectural precision, and this in turn led to the discussion of architecture as infrastructure. The intention behind the discussion on architecture as infrastructure was to search for and explore energy fields with spatial potential, and funnel these discoveries into structures with a capacity to achieve architectural precision. It was important not to lock these intentions, but rather regard them as open in their capacity to TAKE ON other spatial layers in relation to a particular reading or awareness of potential. The work produced during the courses "Architecture as Infrastructure" was an exploration into spatial potential with a capacity to take on many scales and interpretations. In this sense, the search released architectural intentions from the constraints of the singular architectural object, as the investigation challenged and opened up for new and changing relationships, both social and spatial. Its aim is TO INCLUDE and not separate.

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• Gerstlauer, Rolf (2025). Body & Space Morphologies; the making of attempts dwelling proximities. Full text in Research Archive Show summary

  Body and Space Morphologies is a research-based teaching program dedicated to studies in the Phenomenology of Architecture. The program offers Trans-Disciplinary master studios in explorative architectural, pre-architectural and post-architectural making, sensing and thinking. B&SM aims at preparing and enabling students to conduct their own interest driven investigations into Architectural Phenomenology understood as Research Creation; a working mode creating an inspired, process focused and reflective Material Practice. In recent years, student autonomy and creativity have decreased significantly. B&SM’s making of attempts dwelling proximities is a teaching project in how to animate passive consumers of information (pupils) to become active learners and knowledge-creators (students).

• Gerstlauer, Rolf (2025). Body & Space Morphologies; attempts dwelling proximities. Full text in Research Archive Show summary

  Body & Space Morphologies, in other words, are the innumerable manners of how matter transmutes in performative ways, recognised as both tangible intangibles and intangible tangibles, but always by and to more than just the naked human eye. These are the phenomena that my a(u/r)tistic partner the butoh dancer, multidisciplinary artist, and performance studies and disability studies scholar Julie Dind and I elsewhere have discussed as ultimately still being part of the "unmeasurable magic quality in alchemy; a process of transmutation, and a particular coming together" of bodies, environments and time – or ultimately all types of ancestries forth and back in time. These are also the phenomena or situations, processes or things that the architect, artist and curator Wenkai Xu - who since 2019 teaches the B&SM studios together with me – explores through mainly the arts and crafts, inspiring our students to create their own handmade or otherwise crafted or manufactured or collected experiences so as to attempt their very own personal but also shared dwelling in the proximities in that what we have named both the "small a" and the "big A" of all the architectures we are entangled with.

• Gerstlauer, Rolf & Dind, Julie Valentine (2025). Thinking outside of the black box/white cube: A(u/r)tistic research-creation between performance and architecture. doi: https:/fass.open.ac.uk/creative-interactions/creativity-creative-arts-and-neurodivergence-conference. Full text in Research Archive Show summary

  This presentation introduces the a(u/r)tistic research-creation project “Drawing NN inside butoh,” a collaboration between autistic butoh dancer and performance studies scholar Julie Dind and autistic architect, filmmaker and architecture educator Rolf Gerstlauer. Drawing from our respective practices and disciplinary trainings, yet never remaining confined to disciplinary boxes, our project collaboratively and neurodivergently invents a(u/r)tistic modes and methods of research-creation. Escaping, exploding or imploding the black box and the white cube dear to our disciplines, our project centers and dwells in neurodivergent modes of being, sensing, and perceiving to investigate what Rolf has termed “body and space morphologies,” that is, the myriad relationships that exist between bodies and space(s), bodies and bodies and space(s) and space(s). For over a decade, not in but with the Lista environment, in South Norway, our work has attempted to rethink and to remap the relationship between body and space otherwise, neurodivergently and a(u/r)tistically. Reflecting on the project, our presentation introduces some of the a(u/r)tistic methods deployed in our work, and how, in turn, those a(u/r)tistic methods have been incorporated into the teaching(s) of the Body and Space Morphologies Studio at the Oslo School of Architecture and Design (AHO).

• Gerstlauer, Rolf (2025). Body & Space Morphologies: A(u/r)tistic Research-creation of the Crossroad. Full text in Research Archive Show summary

  As we continue to struggle with our creations - all man-made social and/or environmental de/constructions-, we have come to recognize the omnipresence of architecture(s) as being the performing art form that set the post-natural stage. At the crossroad of the current times, dwelling on that ambiguous territory with blurred borders and equally unclear or frightening purviews, and perhaps with a nod to the chiasm (X) that “no one can serve two masters” (Matt. 6:24 ESV), Norwegian historian of environmental sciences Peder Anker not too seriously proposed a renaming of the profession of the architect from chief-creator to chief-lover (archiagape) - yet ultimately, this is what Donna Haraway and others predict to be the only sustainable strategy for a coming Chthulucene. Reporting on an ongoing collaboration between autistic scholar, butoh dancer and multidisciplinary artist Julie Dind and myself, I present the Body & Space Morphologies research and teaching unit at the Oslo School of Architecture and Design. Deeply informed by Performance Studies and Disabilities Studies, and relating to the Arts & Crafts, the B&SM studio courses rely on post-architectural dilettantism as alternative a(u/r)tistic pedagogies and practice-based research-creation of the crossroad.

• Gerstlauer, Rolf; Dind, Julie & Chinilina, Inga (2024). Weird from Iceland, Quo Vadis Nomen Nescio (short-film, 2023) by Julie Dind, Rolf Gerstlauer and Inga Chinilina. Full text in Research Archive Show summary

  Poster and plenary session at the Sound Motility section of the Alter Eco/s Nest : Un/learning From Lost to the River - a hybrid crossing of Uroboros & the International Ecoperformance Film Festival: 12:45 – Sound/Motilities. By Julie Dind, Rolf Gerstlauer and Inga Chinilina , Sebastian Wiedemann and Ting Tong Chang. These films explore in/coherent connections between bodies through dancing with instincts. Opening Activity: Walk until your feet feel sticky. Stay there and let your body join the rhythms of other bodies around you. Any and all movements are possible. Screening: Weird from Iceland, Quo Vadis Nomen Nescio by Julie Dind, Rolf Gerstlauer and Inga Chinilina, Être Chat by Sebastian Wiedemann, and The Blue Wave Woman by Ting Tong Chang. Discussion: In what ways can instinctive episodes of insight be mobilized and shared so they can be a part of un/learning and teaching processes?

• Dind, Julie & Gerstlauer, Rolf (2024). ‘Problem’ bodies/‘Problem’ land: An a(u/r)tistic response to the climate crisis. Full text in Research Archive Show summary

  “‘Problem’ bodies/‘Problem’ land: An a(u/r)tistic response to the climate crisis.” JULIE DIND & ROLF GERSTLAUER - Brown University, USA & The Oslo School of Architecture and Design, NORWAY. In this joint presentation, we explore how our a(u/r)tistic work, which takes place primarily in and with the Lista peninsula of Southern Norway, engages with the climate crisis. In Lista, our work explores the encounter between bodies deemed as “problematic” — our two autistic bodies — and land framed as “problematic” — land on which humans constantly intervene, in turn cause and attempting to fix or advert crises. While disability and neurodivergence are often framed as tragedy, our presentation refuses this framing: in our work, autism does not represent our tragedy, but rather informs and shapes the ways in which we attend to the crises around us. Drawing from the work of disabled and neurodivergent scholars and artists such as Adam Wolfond, Sunaura Taylor, Eli Clare, Naomi Ortiz and Petra Kuppers, our presentation considers how disability and neurodivergence can offer creative and performative ways out of—or at the very least, responses to—the crises of our time. We turn to disability and neurodivergence as modes of being — and as modes of being with — that allow to connect with the land and the more-than-human world differently. About the authors: Julie Dind is a PhD candidate in Theatre Arts and Performance Studies at Brown University, a butoh dancer and a multidisciplinary artist. Her dissertation, provisionally titled "A(u/r)tistic Wor(l)ding" explores autistic modes of performance. Since 2012, she collaborates with her a(u/r)tistic partner Rolf Gerstlauer on a multidisciplinary art project titled "Drawing NN inside butoh". Rolf Gerstlauer is a professor, architect and multimedia artist at the Oslo School of Architecture and Design. He investigates Body & Space Morphologies through an experimental voodling (videoing + doodling) practice. Since 2012, he collaborates with his a(u/r)tistic partner Julie Dind on a multidisciplinary art project titled "Drawing NN inside butoh".

• Gerstlauer, Rolf (2023). Potensielle muligheter og konsekvenser ved å knytte kognitiv nevrovitenskap og arkitektur - en kommentar til aktuell forskning (debattinnlegg og paneldeltakelse). Full text in Research Archive Show summary

  Debatt: OAF og NSW inviterer 19 oktober 2023 til debatt/panel om Kvantitativ kvalitet - kan målbar forskning styrke arkitekturfaget? Er det mulig å måle arkitektonisk kvalitet? Og er kvantifisering av arkitektoniske kvaliteter veien å gå for å sikre faglig mandat for utforming? OAF og NSW Arkitektur inviterer til diskusjon i Hagestuen på Arkitektenes hus omkring de potensielle muligheter og konsekvenser ved å knytte kognitiv nevrovitenskap og arkitektur. Det er mye interessant forskning fra disse feltene, og mens det har vært antydninger til at dette kan påvirke arkitekturfaget har det allikevel skjedd lite i det tverrfaglige skjæringspunktet. Hvor er forskningen nå? Er det anvendbart i arkitekturen, i så fall hvordan? Og hva er de mulige effektene? Kan arkitektonisk kvalitet i det hele tatt måles? Vil et ytterligere vitenskapelig underlag og kvantifisering styrke faget, eller er arkitekturens uhåndgripelige kapasiteter en kvalitet i seg selv som vi da setter oss i fare for å miste? Vi har et panel bestående av innsiktsfulle representanter innen nevrovitenskap, miljøpsykologi og arkitektur: Charlotte Boccara, PhD, gruppeleder i presisjonsmedisin, NCMM UiO, systemnevrovitenskap, søvn og kognitiv utvikling. Rolf Gerstlauer, arkitekt, professor, instituttleder arkitektur AHO – miljøpsykologi og kreativitet i arkitekturforskning og -undervisning. Anders Qvale Nyrud, professor i treteknologi NMBU – anvendelse og effekt av miljøpsykologiske studier i arkitektur. Melissa Piatkowski, PhD-stipendiat, Senter for profesjonsforskning, OsloMet – bruk av evidens i arkitektur- og designfag. Kai Reaver, arkitekt og forsker AHO, fagsjef NAL. Moderator: Rasmus Steen Pettersen, arkitekt, assosiert partner NSW Arkitektur. Som en åpen diskusjon, er publikum hjertelig velkommen til å aktivt delta!

• Dind, Julie & Gerstlauer, Rolf (2022). Drawing NN: A Reflection On Autistic Choreography and the Land - Julie Dind & Rolf Gerstlauer - joint paper and artwork presentation. Full text in Research Archive Show summary

  “Drawing NN”: A Reflection On Autistic Choreography and the Land (Title of the presentation by Julie Dind & Rolf Gerstlauer). “Drawing NN” is the encounter of two autistic individuals – a butoh dancer, Julie Dind, and an architect and filmmaker, Rolf Gerstlauer – and a Norwegian landscape – the Lista environment. In this presentation, we discuss our research-creation project “Drawing NN” in relation to philosopher Erin Manning’s definition of choreography as less “that which is generated by the human for the human than a practice that foregrounds how the event itself attunes to a relational milieu that exceeds the human or wherein the human is more ecological than individual” . Drawing from our respective fields – architecture and film studies for Rolf and performance studies and disability studies for Julie – this presentation offers a reflection on choreography, autism, and the question of milieu. The questions we raise pertain to the relationship between autism, choreography and the land: If choreography is a “system of command,” what of those – human and non-human – who do not perceive the command? How can we think of choreography autistically? How can we create a milieu that does not reify existing hierarchies (between human and non-human, disabled and non-disabled, etc.), but rather opens up new possibilities of relations? Can we think of choreography less in term of ordering bodies, and more in term of undoing the existing order?" Short-bios: Julie Dind is a butoh performer, academic and multimedia artist. Her work is located at the intersection of performance studies and disability studies. She is a PhD candidate in TAPS at Brown University, writing a dissertation on Autistic modes of performance. Rolf Gerstlauer is a filmmaker, multimedia artist, architect and professor at the Oslo School of Architecture and Design where he produces a body of artistic research in the fields of architecture, photography/filmmaking, multimedia installations and performing arts. Since 2012, Dind and Gerstlauer form an autistic-artistic couple and collaborate on a research- creation project titled "Drawing NN." Joint-paper presentation by Julie Dind & Rolf Gerstlauer on Wednesday, 6 July, 2022, 11:15-12:45, Session 3 - followed by a poster presentation of the short-film "Weird Drawn At Land" (Gerstlauer & Dind, 2021, 19:51min) and an additional paper presentation by Julie Dind as well as a panel discussion lead by NOFOD.

• Gerstlauer, Rolf & Dind, Julie (2022). Cenotaph For Weird’s Well And T[h]ree Missing Bodies. In Pannek, Wolfgang (Eds.), ECOPERFORMANCE Volume I. Transcultura. ISSN 9786599367021. p. 105–111. Full text in Research Archive Show summary

  In their article Cenotaph For Weird’s Well And T[h]ree Missing Bodies, Rolf Gerstlauer and Julie Dind identify a certain temporality of movement as an ecoperformative characteristic. For the French-Swiss filmmaker-performer duo who participated in the festival with Weird Drawn at Land, it is slow time, crip time, or autistic time– expressed in the primary experiences of the bodily and climatic transmutation of an aimless dance – what makes their ethnofiction also a true ecoperformance. According to Gerstlauer and Dind, this ecoperformative movement-time was thematized by filmmaker Maya Deren, being the “cinematographic-movement itself, as a totally new dimension of movement." A movement not of the dance, but of the film, which echoes in the “reflexivity of the viewer recognizing, or being affected by, the performativity of a screened crip time alone.” In Weird Drawn at Land, the movement-time of ecoperformance manifests itself, according to its authors, in “two successive modes”: first, in the performative “privacy of the act” still “without a language” and, secondly, in "the cinematic slow-moving artificial reality that creates movement or engagement in terms of a possible reflexivity inspiring viewers to inhabit a fictional film, land or uncertain ground.” For the artist couple, the double movement of “the alchemy of the transmutation between bodies and matters that is crafted on film – is the magic that makes the movement of ecoperformance.” From the perspective of reception, the action of this eco-performative magic on the body only aims to a lesser degree at the positioning of rational judgment, but above all, it appeals to the imagination of the public, in the sense of “a powerful invitation to just want-to-experience one’s own land” and "to imagine differently the ways of moving with the land." Wolfgang Pannek, outtake from the foreword to ECOPERFORMANCE (pp. 21-22)

• Gerstlauer, Rolf & Dind, Julie (2021). Cenotaph For Weird's Well And T[h]ree Missing Bodies. Full text in Research Archive Show summary

  Rolf Gerstlauer & Julie Dind - autistic-artistic artist couple - abstract to the call-for-paper & call-for-works for the Imagining Differently: Research-Creation Practices In Urgent Times conference organized by the Centre For Imaginative Ethnography (CIE) Symposium and Graduate Program in Theatre & Performance Studies, York University, Toronto Canada. Title of the work for this joint-paper & artistic video-article presentation: Cenotaph For Weird’s Well And T[h]ree Missing Bodies. Dedicated Urðr, Verðandi and Skuld. Abstract: 2010, a group of students and teachers visited the Lista Peninsula in Southern Norway, hitting something peculiar in the woods. What was found, a great abandoned hall, was on no map. Close to the hall was a well. Deep and inaccessible, it seemed connected to the hall. Years after, we tried to look for that hall and the well again, but they were gone, lost for good. The well, like the hall, on no map, were never found again. In Norse Mythology, inside a hall, the gods held court for three Norns who lived in a well nearby the hall. That well was Weird’s well, and it was placed under the tree named Yggdrasil, and the hall had had No Name. Cenotaph for Weird’s Well and T[h]ree Missing Bodies, the video-essay installation for Urgent-Emergent, shows a hall, a well and a forest as a large tree – and three times a dance performed by NN, aka Julie Dind. - Dance The Tree - Since 2014, Gerstlauer & Dind make site specific performances in Lista, Southern Norway. Part of the ongoing artistic research project Drawing NN, NN in Lista is Weird - or what now is referred to as Research Creation. - Dance The Wedding Kimono - While NN’s dance-brut is neither conceptualized nor choreographed, connections nevertheless occur in the aftermath of a dance. They make numerous incentives for new performances weaving themselves into a network of awareness. - Dance The Dead Trees Sanctuary - Urðr (also named Weird or Wyrd), Verðandi and Skuld, the three Norns being past, presence and future, used to sit under the tree Yggdrasil cutting marks in the numeral stick, spinning our life-threads, and measuring humans’ destinies. -.- Background and artistic aims: The Lista Peninsula (Southern Norway), and with it the traces of one of Norway’s earliest settlements, is heavily processed as we speak. The changes – man-made and not - are drastic. At the end of the video-essay screening, we wish to argue for the aimless performing autistic body that makes for a Neurodiverse Movement, aka Research Creation, inspiring also other trans-disciplinary teams and specific artistic practices to engage with the affordance, as well as problems, residing in this particular landscape. -.- Notes on the final presented video-article: The final contribution to the conference was a joint-paper presentation life-performed as voice-over to the artists own performance art video-work. The conference was originally scheduled for March 27th & 28th 2020 but had to be canceled due to COVID-19. In this originally planned installment of the conference, the presentation of Cenotaph For Weird’s Well And T[h]ree Missing Bodies was placed in panel 4 titled More Than Human Socialites. The actual conference took place as a Zoom-conference a year later on March 26 and 27, and the work was performed and streamed in panel 2 titled Beyond Human. -.- For more information on The Lista Research Creation Project: https://aho.no/no/courses/40-635/2020-var -.- The presented paper and/or the video-performance-work (with or without voice-over) can be requested by contacting the artists directly.

• Dind, Julie Valentine & Gerstlauer, Rolf (2019). Julie Dind & Rolf Gerstlauer - Drawing NN - butoh dance live performance - Saturday June 22nd @ 14:00 at Listafyr. Full text in Research Archive Show summary

  Julie Dind & Rolf Gerstlauer - Drawing NN - butoh dance performance § For Sørlandsutstillingen 2019, Julie & Rolf show a video-installation and a series of photographs in two of the indoors installations at Nordberg Fort as part of the group-exhibition "What We Have". § Saturday June 22nd at 14:00 hours, Julie & Rolf demonstrate in a performance how they work Julie's Butoh dance into "video and photography drawings". § The life-performance will last between 10-20 minutes. After the performance, Julie & Rolf are available for a discussion on both their performance and their group-exhibition "What We Have" but also on their ongoing interdisciplinary art-project "The LISTA Research Creation Project". § From their statement to the group exhibition: § What We Have, are the things, that are. All those things around us. The things we act with. Spending time with those things, they can move us and make us aware - of the thing itself and of something in us that does care. New things can become of this. Old things too. It’s neither good nor bad, but just the things that are – the things we come with – what we have. ​§ What We Have, is a collective exhibition of a group consisting of a Butoh performer, a filmmaker, multimedia artists, architects and students of architecture, who frequently work on the Lista peninsula. Each having their own individual praxis, they collaborate for the Lista Research Creation Project - a Body & Space Morphologies research and teaching unit initiative at the Oslo School of Architecture and Design. § Wenkai Xu - I want to make a house for me and my animals § Adrian Vindedal Ørnes - Expansions and roofs § Fredrik Rognerud - Birdhouses and a war tower § Jan Gunnar Skjeldsøy - Friends, enemies and strangers § Anders Eik Pilskog - Grid and gardens § Julie Dind & Rolf Gerstlauer - Drawing NN in Tokyo, Naoshima, Toulouse, Paris, New York, Chiang Mai, Beijing and Lista

• Gerstlauer, Rolf (2015). Light from Darkness: Body and space morphologies in Architecture & Film - Rolf Gerstlauer, professor AHO/ arkitekt. Full text in Research Archive
• Gerstlauer, Rolf (2013). Rolf Gerstlauer: Studio B3 - Studio Works. Full text in Research Archive
• Gerstlauer, Rolf; Funck, Lisbeth & Fjeld, Per Olaf (2013). Three academic lectures kept in a seminar on May 24th: - Per Olaf Fjeld ; "Studio B3 and the Scandinavian Connection" - Rolf Gerstlauer ; "Studio B3 - Studio Works" - Lisbeth Funck ; "What makes Structure into Architecture?". Full text in Research Archive
• Gerstlauer, Rolf (2010). Film som arkitektonisk verktøy og medium. Full text in Research Archive
• Gerstlauer, Rolf (2010). Creative Commons lisensiering: Før copyright kommer copyleft. Full text in Research Archive
• Gerstlauer, Rolf (2010). Før Copyright kommer Copyleft. Full text in Research Archive Show summary

  Opphavsrett kan hindre kunstnerisk frihet. En ny måte å lisensiere kulturprodukter kan revolusjonere måten kunst blir til på.

• Fjeld, Per Olaf; Funck, Lisbeth & Gerstlauer, Rolf (2009). New York letters. ?. Full text in Research Archive Show summary

  Reiserapport fra Studio B3 sin ekskursjon til Manhattan høsten 2009. Studentene fikk oppgitt temaer, redigert av Studio B3s lærere.

• Gerstlauer, Rolf (2009). Thoughts on the light in Oslo. Lights of the World (Genius Loci). Betrachtungen über das Licht in Oslo. Lichter der Welt (Genius Loci). Daylight & architecture. ISSN 1901-0982. p. 1314–21. Full text in Research Archive Show summary

  Trykt utg. på engelsk, også publisrt på tysk som PDF

• Gerstlauer, Rolf (2009). Architecture as infrastructure : daylight, sustainability and health in architectural education. Full text in Research Archive Show summary

  Key note lecture and workclass

• Gerstlauer, Rolf & Ekman, Carl Mattias (2009). Film som arkitektonisk verktøy og medium. Full text in Research Archive Show summary

  Filmkveldserie om arkitektur og film

• Gerstlauer, Rolf (2008). Object - connections - context. Full text in Research Archive
• Gerstlauer, Rolf (2008). Refractions. Full text in Research Archive
• Gerstlauer, Rolf; Fjeld, Per Olaf & Funck, Lisbeth (2008). Japan. Nytt rom - new Scandinavian rooms. ISSN 1504-5412. Full text in Research Archive Show summary

  AHOs reise. 23 studenter dokumenterte sine inntrykk, redigert av Studio B3s lærere

• Gerstlauer, Rolf (2008). The B3 Generator-Cloth. Full text in Research Archive
• Fjeld, Per Olaf; Funck, Lisbeth; Fuchs-Mikac, Neven & Gerstlauer, Rolf (2008). The stubbornness of architecture : the B3 light machines. Daylight & architecture. ISSN 1901-0982. p. 48–57. Full text in Research Archive
• Fjeld, Per Olaf; Fuchs-Mikac, Neven; Funck, Lisbeth & Gerstlauer, Rolf (2007). The stubbornness of architecture : the B3 light machines. Full text in Research Archive
• Gerstlauer, Rolf (2007). Konstruktøren. [Journal]. 10 arkitekter intervjuet. Full text in Research Archive
• Gerstlauer, Rolf (2006). Perturbative Spaces and Moving Mass. Full text in Research Archive
• Gerstlauer, Rolf (2006). Perturbative Spaces and Moving Mass. Full text in Research Archive
• Fjeld, Per Olaf; Gerstlauer, Rolf; Fuchs-Mikac, Neven & Funck, Lisbeth (2004). Shades of Shadows. ?. p. 14–17. Full text in Research Archive
• Fjeld, Per Olaf; Gerstlauer, Rolf; Fuchs-Mikac, Neven & Funck, Lisbeth (2004). Discordia 2004. ?. p. 16–19. Full text in Research Archive
• Fjeld, Per Olaf; Gerstlauer, Rolf & Funck, Lisbeth (2009). Infrastrukturer : prosjekttekster fra Studio B3 2008. Arkitektur- og designhøgskolen i Oslo. Full text in Research Archive Show summary

  Katalog til utstillingen:Arkitektur som infrastruktur : modeller fra Arkitektur- og designhøgskolen i Oslo ved Studio B3 Nasjonalmuseet - Arkitektur 24.1.-8.2.2009.

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